Works
Vanished (2024)
Feel Free to Take a Nap (2023)
ThisPlace (2023)
All That Remains (2023)
The Shortest Interval (2023)
The Longest Gap (2022)
Planet We (2022) by and with Karin Grand
Once Again Sisyfos (2022)
Sipping at the edge of sand grains (2021)
Museum of Tellers (2020-2022)
Stacey Sacks in Conversation (2019)
Fictioning Hamlet: Dialogues and Diffractions (2019)
Yet another. Hamlets (2018)
Conversation Script (2018)
Hi Hamlet, I'm Ophelia (2018)
This is fiction//you are fiction too (2018)
Entities - immersion - (2016)
Entities - theater of gestures - (2016)
Scapes (2015)
Fluid Landscapes (2014)
Roaming threads (2013)
Distances Within (2012)
early works (2008-2011)
About
Mirko Guido (b. Italy) works with dance and choreography between theatres, art galleries/museums, and public spaces - spanning over performances, installations, intra-disciplinary research projects, and publications. All works are a continual negotiation of boundaries — between body, space and materialities, between individual and collective experience, between certainty and ambiguity. Each project operates as a physical, material and intellectual inquiry into choreography as a system of responsiveness, guiding the attention towards the co-existence of multiple processes and materialities.
As a dancer he worked in several dance companies, including the Cullberg Ballet, and with a great variety of choreographers, whom have provided him with a wide range of embodied perspectives on dance, from Mats Ek, Crystal Pite, Johan Inger to Deborah Hay, Benoît Lachambre, Cristina Caprioli and Tilman O’Donnel, passing by Paul Lighgoot & Sol Leon, Itzik Galili, Alexander Ekman, Rafael Bonachela, Jo Strømgren, Stephan Thoss among many others.
As a choreographer Mirko he has toured his productions across Europe, including Athens dance festival (Greece), Festival La Becquée (France), Festival MAP/P E-motional (Portugal), Teatri di vita (Italy), Dance Station (Serbia), Weld and Dansens Hus (Sweden), Bora Bora and ARoS Art Museum (Denmark), SPEL - The State Gallery of Contemporary Art, Nicosia (Cyprus) among many others. His artistic processes have been supported by major choreographic centres such as Summer Studios Rosas, Work Space Brussels; Uferstudios Berlin; PACT Zollverein; MDT Stockholm to mention but a few.
Mirko holds a master’s degree in New Performative Practices from DOCH / Stockholm University of the Arts, and today he’s based in Aarhus, Denmark, and is an in-house artist at Bora Bora – Dance and Visual Theater.
Photo ©Allan Toft